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Miss
Emily Blog Tour
Ms Rae Has a Visitor!
Thanks be – it’s Nuala O’Connor on the
blog to talk about her latest novel, MissEmily.
The Dickinson household is saved from
domestic chaos with the arrival of Ada Concannon, a “neat little Irish person,
fresh off the boat”. Amherst in the 1800s is a pastoral environment for the
homesick young maid who finds in the gifted middle child, Emily, a fellow
feeling; they were born on the same day, they share a sense of mischief and a
love of baking. Emily’s fledgling poetry and passion for words is her true
vocation but as it begins to dominate her mind, she retreats from the small
world around her and enters her infamous white phase. The friendship that forms
between the two women is tested when Ada’s personal safety and reputation is
violated and Emily finds herself tasked with defending her maid against her own
family and those she loves, with shocking consequences.
“Only this morning I dropped a spoon
first and soon after a knife, so I knew a visitor would be calling before the
day was out.” p33
They do say Ms Rae loves company, do they not?
Ms Rae:
“A Resonance of Emerald”
Miss
Emily was my fond companion from first page
to last. It’s presence in my hand was wont to set tongues wagging. I love that
you gave equal voice to the characters of Emily Dickinson and Ada, her Irish
maid, and I wanted to ask you – as a working-class woman myself – if you
considered how important your novel is in that it portrays a strong
working-class protagonist, if not on equal footing, at least in terms of equal
significance to readers?
Ms
Nuala:
Yes, it was important. The novel is as
much about social division as about friendship. Can people across classes
really be proper friends or is there always an imbalance? Ada is not a
sorrowful immigrant – she is a strong, forward-looking young woman who delights
in the adventure of leaving Ireland for America. It was important that she had
equal footing with Emily Dickinson in the novel, so it is a dual narrative
where the two women narrate alternate chapters.
Ms Rae:
“There’s a certain Slant of Light”
Ada is not the only working-class
character – no token friendship here – as Emily’s confidante, sister-in-law
Sue, a near constant in the real Emily’s life, also features prominently in Miss Emily. Real-life Susan was the
daughter of a taverner, rising through the social ranks by virtue of his death
and her marriage to Emily’s brother, Austin. Miss Emily captures the transformative essence of Dickinson’s
poetry. And as with her poetry – what is often most notable is what is omitted
from it – so much resides within a dash – so it is with details of Emily and
Sue’s relationship.
“…as
always with Sue, I bend to her desire. Her mind is occupied with Austin and
with ironing out domestic rucks, which is as it should be. We drink our tea and
listen to the clock tick and Baby Martha’s fossicking noises from her
bassinette. If Sue cannot come to me in Spirit today, all I can do is endure
it; there are days when she cools and retreats and this is one of them, I fear.
We sit on, drink our tea, and the clock’s pendulum seems to become drowsy and
ponderous, as if the air has grown fat. The ticking sounds sluggish to my ears,
it goes slow, slow, slow, then, halt.” p136
Your portrayal of Sue is remarkably
nuanced – she is adorer of and adored
by Emily, but she is also snobbish,
particularly towards Ada. I thought you captured the internal anguish a woman
from Sue’s beginnings must have had in the presence of someone who would have
reminded her how easily traversed the social ladder could be – how one might
slip down its rungs as rapidly as one had climbed – and I wondered how much you
consciously cultivated these nuances and how much of Sue’s character was
evident from documentation, correspondence with Emily, and so forth? Susan is a
triumph of characterisation. Could you talk a little about the research process,
what went into the book?
Ms
Nuala:
Sue is problematic in that a lot of our
views on her (other than Emily’s) come from people with agendas, like her
husband’s mistress and that woman’s daughter. She has been painted rather
black, but Emily saw her as luminous and really appreciated everything about
Sue – her cleverness, her social skills, her beauty. I took my portrait of her
mostly from Emily and a little from the hearsay. With Emily and Ada both so
good-natured, I needed the balance of semi-villains and so I made Austin and
Sue those people. It felt slightly betraying but, in terms of fiction, it has
to be done. Two Dickinson scholars are in the process of writing new
biographies of Sue and I really hope they unearth more of the good things about her.
Ms Rae:
“The Heart asks Pleasure – first – ”
One of my favourite parts of the novel
is when Miss Emily narrates of Ada’s feelings for Daniel Byrne as Ada tends to
Emily’s dresses – her favourite being “a snowy cotton wrapper with
mother-of-pearl buttons and a pocket” – I especially love the duality of the
prose:
I
court vicariously through Ada and Daniel Byrne; I watch their shy, sweet
glances tossed like luck pennies back and forward in the kitchen. Sometimes a
stray penny lands on me and I pocket it gratefully. p118
I fair marvel at the outward
observation’s facilitating the reader’s insight into Miss Emily’s life and
character. But I especially admire how you fashion not only the machinery of
Emily’s poetry, her character and mind and words, but also the storehouse for
them, such as her pockets. You marry metaphor and fact as perhaps only a poet
could. An acclaimed poet yourself, where did your interest in this particular
story spring?
Ms
Nuala:
I loved Emily’s poetry at school – it
appealed to my sense of teenage gothic gloom. We didn’t read her happy poems
much! I heard a few years ago that Emily loved to bake, as I do, so I began to
bake her recipes for Black Cake, Coconut Cake and gingerbread and I was
thinking about Irish domestics and it all coalesced into a poem first and gradually
a novel.
Ms Rae:
“The Soul selects her own Society”
Emily didn’t take to housework – or
receiving visitors, unlike Sue – nor it seems did Ada, though she didn’t have
much choice! “‘Hope’ is the thing with feathers –”. There’s a description of
Ada dusting and another of her cajoling hens to lay, and of her plucking one
(standing over it, not hung as was her mother’s preference) –
nature domesticated is abundant in Miss Emily, described so beautifully by
Emily and, surprisingly, Ada. Even when describing the view of her home town as
the boat pulls her away, Ada says, “Dublin lies like a big dozy cow, not able
to shake the sleep off herself.” In another section of the novel, Miss Emily
explains to Ada about her name being a palindrome and I thought it a great
analogy for reflection, for Emily and Ada being so alike but for their
circumstances differing.
Emily: Ada, you are like a breath from Madagascar p45
Ada:
I shrug but, truth be told, I am as pleased as a dog with two pockets. p47
Could you talk a little about the
importance of nature to both Emily and Ada, and where your inspiration for Ada
came from?
Ms
Nuala:
Emily loved to bake, which is one type
of housework, and she also loved all natural things – much of her oeuvre is
about nature and/or uses images from the natural world. She was a devoted
gardener, like her mother, and she studied botany at school. Ada grew up in
Tigoora in west Dublin which is, essentially, the Liffey Valley, so she was
immersed in rivers, trees and flowers, much as Emily was.
I needed to invent a maid to give me
fictional freedom as I was already working with the facts of the Dickinson
lives. However I made Ada a cousin of one of the Dickinsons’ real Irish maids,
Maggie Maher, who was a Tipperary native. In that way Ada is still connected
firmly to reality and history.
Ms Rae:
“Fame is a bee.”
Considering how prolific Dickinson was,
little of her work was published in her lifetime and, it seems, even her own
family knew not of the volume she had written until after her death. And it was
much later still when her poems were published as they had been written in her
hand. Contrast this with what would be recorded of a maid, however, and the
picture for the majority of women of the period in which Emily lived appears
like a faded Daguerreotype. You are brilliant at recording lives and moments of
women’s existences that would otherwise go unwritten. What would you like your
legacy to be?
Sue lifted her face to me. “I really
liked the poem you sent to me yesterday, Emily. There is such joy in it. I
could not say I understood it all, but the image of the bee was rather
beautiful. You find poetry everywhere, my dear.”
Ms
Nuala:
Women are horribly absent from our
historical education, as we know. Today they are also still not hugely visible
in many professions, including the writing world. Like many historical fiction
writers who take women as their main characters (Emma Donoghue, for example), I
want to bring women in history into the light. Social, domestic and material
history are much more interesting to me than, say, warfare. I find the term
‘Herstory’ a bit clunky but maybe it’s one to embrace? So, in terms of legacy,
I want to add to the herstoriness of history, rewrite the script and look at
women mostly, but also look at people as people first, as opposed to as kings
or serfs.
Nuala by Emilia Krysztofiak
Nuala O'Connor was born in Dublin, Ireland, she lives in
East Galway. Already well-known under the name Nuala Ní Chonchúir, she has
published four short story collections, the most recent Mother America appeared from New Island in 2012. Her third
poetry collection The Juno Charm was published by Salmon Poetry in 2011 and
Nuala’s critically acclaimed second novel The
Closet of Savage Mementos appeared
April 2014, also from New Island; it was shortlisted for the Kerry Irish Novel
of the Year Award 2015. In summer 2015, Penguin USA, Penguin Canada and
Sandstone (UK) publish Nuala’s third novel, Miss
Emily, about the poet Emily Dickinson and her Irish maid. www.nualanoconnor.com
Catch up with previous stops on the Miss Emily blog tour here, here & here.
And find out about the research process here.
Some previous interviews with Nuala can be read here & here.
Miss
Emily
Nuala O’ Connor
Published 20th August
p/b £8.99
978191024550
e-book £8.99
9781910124567
